The previously unpublished manuscript of this concerto has now been specially arranged for Gromes which she recorded together with the Rundfunk-Sinfonieorchester Berlin conducted by Nicholas Carter. It was not until 1854 that his illness took hold and this was the year that the piece was first published. Curiously, Schumann seems to have composed it without an intended cellist in mind. Schumann’s Piano Concerto is heard so often that its originality can be taken for granted. The recording marks the After a final return of the main theme in the orchestra, the cello begins a spontaneous passage in the style of an improvisation (a cadenza with some accompaniment from the orchestra–a very unconventional choice on Schumann’s part, since cadenzas are usually unaccompanied). The score was written in two weeks in 1850 following the family’s move to Düsseldorf, when Schumann Partnering the Schumann are two previously unrecorded cello works by Alfredo Piatti. Posted on January 19, 2021 by January 19, 2021 by Notify me of follow-up comments by email. The work opens with three woodwind chords reminiscent of those that serve as a gateway to Shakespeare’s fairyland at the beginning of Mendelssohn’s Overture to A Midsummer Night’s Dream. Learn more and get tickets. Enter your email address to subscribe to this blog and receive notifications of new posts by email. Perhaps Schumann’s motivation for composing it was revealed in a letter to a prospective publisher when he noted “there are so few works for this lovely instrument.” The concerto was published with piano accompaniment in 1854, and correcting the proofs was one of Schumann’s last activities before his collapse. Schumann’s Third Symphony, actually the last he composed (completed in the same year as the Cello Concerto), stands out in several ways: it contains five instead of the usual four movements, and that “extra” movement, the fourth, has been described as containing the most extraordinary example of German counterpoint since Bach. Spanning the last half of the nineteenth century, the compositions reveal extraordinary lyricism, imagination, and individual interpretation of the concerto form. It was not until 1854 that his illness took hold and this was the year that the piece was first published. 1, from the Bunte Blätter, Op. Shelley meets these with characteristic aplomb, including an especially nice collaboration with cellist Sue-Ellen Paulsen in the slow movement’s cello obbligato. Variations on a theme by Robert Schumann, op. Sehr lebhaft (A minor – A major) ... download 14 Files download 8 Original. These pieces have been written since the Baroque era if not earlier. clarinet (or cello), piano Extra Information For a detailed discussion of this work, its sources and first performers, see the article Deconstructing Schumann's Fantasiestücke, Op.73 by R. Reissenberger and E. Hoepric. It is the result of a ten-year mission that included her discovery of the autograph score in … The pianist Leif Ove Andsnes makes it sound … Op.129 I-Catalogue Number I-Cat. 129: Authorities WorldCat; Wikipedia; VIAF: 293460666; BNF: 13918929g: Composer Schumann, Robert: Opus/Catalogue Number Op./Cat. An active concert violinist, Achron wrote many concerto cadenzas for his own and others' use, including a "triple" cadenza for the Vivaldi Concerto for Three Violins, performed in Carnegie Hall by Jascha Heifetz, Leopold Auer, and Efrem Zimbalist, and an enigmatic cello cadenza to Haydn's Cello Concerto No. It was written for the Italian cellist Alfredo Piatti and premiered on 24 November 1866 at the Crystal Palace, London, with August Manns conducting. “I was practising for a concert tour and became suspicious as all the editions I had available were hugely cluttered with markings and bowings and not one edition corresponded. Photo credit: Decca/©Harald Hoffmann. 94 2 Gabriel Schwabe, Cello • Nicholas Rimmer, Piano 2 Royal Northern Sinfonia 1 • Lars Vogt 1. Cellist, Josephine Knight, has performed the world-premiere recording of the recently discovered original edition of Robert Schumann’s Cello Concerto in A Minor. Your email address will not be published. 18 (ca. Schumann’s prediction that “Since there is a great dearth of such works, the cello concerto is something which will perhaps be welcomed by many” has certainly come true, although it only became standard repertoire decades after Schumann’s death. Though some accept it at face value, Schumann’s assertion that “The concerto is also really quite a jolly piece” seems to contradict the work’s brooding A minor tonality (Schumann’s characterization may have been an attempt to market the new and unusual piece to a risk-averse publisher—an effective one, at that). Bernstein brings out the beauty and darkness of this bitter fruit of the onset of Schumann's mental collapse. (Canceled) Piatigorsky International Cello Festival: Schumann Concerto Sat / Mar 21, 2020 - 8:00PM A cello celebration descends upon Walt … Interview, Josephine Knight on Schumann 19th May 2020 The British cellist talks to David about her new recording on Dutton, featuring the world premiere recording of Schumann's concerto in its original form and two concertante works by Alfredo Piatti. Langsam (F major) III. No. Schumann described the Concerto to them as "really quite a jolly piece." Succinct though the concerto may be, with three linked movements totalling 21 minutes, the technical challenges of the solo part are considerable. For a time, it was something of a lost masterpiece. Martin Yates. 129, Robert Schumann. Schumann: Cello Concerto, Adagio & Allegro, Fantasiestücke Yo-Yo Ma, Sir Colin Davis, Symphonieorchester des Bayerischen Rundfunks & Emanuel Ax ... Memoirs of a Geisha (Original Motion Picture Soundtrack) 2005 Cello Suiten No. (Early Music, Vol.42 No.3 August 2014) Martin Yates. The CD can be purchased here. 129 (1850) Edited by Josephine Knight (2020) First published edition of the original version 1: i Nicht zu schnell 2: ii Langsam 3: iii Etwas lebhafter Alfredo Piatti (1822-1901) Concertino in A minor for cello and orchestra, Op. Since then, generations of performers have introduced alternative bowings and significant changes which have diluted the original conception of the work. Robert Schumann wrote his only cello concerto in Düsseldorf during a two week period in October 1850. Required fields are marked *. Don’t miss Schumann’s Cello Concerto at the Houston Symphony’s Schumann Festival! 129; Cello Concerto in A minor, Op. After a reprise of the opening duet, the woodwinds play a reminiscence of the haunting theme that began the concerto. 20, with a dedication to Robert. Topics Cello Concerto Op. Cellist, Josephine Knight, has performed the world-premiere recording of the recently discovered original edition of Robert Schumann’s Cello Concerto in A Minor. In this post, discover Schumann’s masterful Cello Concerto, a work that was only recognized long after Schumann’s death. "I was practicing for a concert tour and became suspicious as all the editions I had available were hugely cluttered with markings and bowings and not one edition corresponded … Robert SCHUMANN (1810–1856) Cello Concerto 1 Fünf Stücke im Volkston 2 • Fantasiestücke 2 Adagio and Allegro 2 • Drei Romanzen, Op. 31 by Brahms and Strauss contemporary Julius Klengel (1859-1933), who was acclaimed as a miracle cellist throughout Europe at an early age. A cello concerto (sometimes called a violoncello concerto) is a concerto for solo cello with orchestra or, very occasionally, smaller groups of instruments.. Schumann’s prediction that “Since there is a great dearth of such works, the cello concerto is something which will perhaps be welcomed by many” has certainly come true, although it only became standard repertoire decades after Schumann’s death. It’s a bit of a cliché to say that an artist bared his or her soul in a work of art. In 1853, Clara Schumann composed a set of variations on a theme from her husband Robert’s Albumblätter no. Explore the 2020–21 season and purchase your subscription today! Josephine Knight cello Royal Northern Sinfonia Martin Yates conductor In a world premiere recording, cellist Josephine Knight champions Schumann’s Cello Concerto in its original form as a Concertstück, performed for the first time in a new edition based on the original manuscript in the composer’s hand. 99.They were published in 1854 as her Op. Celebrated British cellist Steven Isserlis performs Schumann’s manic and mournful cello concerto, which Isserlis has described as “one of the most original concertos for any instrument.” The program also includes a set of early waltzes by Schoenberg, a work rooted in the Classical tradition, as well as Mozart’s Overture to The Marriage of Figaro. “Throughout my research I discovered that Schumann initially envisaged the work as a Concertstück not a Concerto, and for me, knowing this the piece takes on a lighter and happier character. was was in good health and mentally stable. The works in this volume are Robert Schumann: Cello Concerto in A Minor, Op. Josephine Knight holds the Alfredo Piatti Chair at the. The great cellist Rostropovich didn't seem like the type to tolerate too much tom-foolery, so this rendition of Schumann's Cello Concerto doesn't present too many surprises, though the seemingly average pulse could also stem from the fact that it's a B+ Concerto to the A's that are the Dvorak & … Aside from the absence of soloists during his life, the reason for the delayed recognition likely stems from Schumann’s artistic priorities; though the work is quite technically demanding, unlike many concertos of the era it prizes poetic expression above virtuoso display. It is the result of a ten-year mission that included her discovery of the autograph score in the Biblioteka Jagiellońska, Kraków. 129; Cello Concerto in A minor; Op. Robert Schumann (1810-56) Concerto (Concertstück) for cello and orchestra in A minor, Op. As Alisa Weilerstein commented in a 2016 interview, “In fact, the virtuoso parts are a bit thankless, because they are much more difficult than they actually sound!” Though Schumann’s artistic principals may have slowed the concerto’s initial acceptance, they ultimately yielded a work of emotional depth and enduring appeal. Little by little, the orchestra reenters, leading to a thrilling conclusion.—Calvin Dotsey. Post navigation bach brandenburg concerto 3 you tube. The soloist then introduces a long, entrancing melody: After a vigorous orchestral transition, the soloist introduces a lighter, contrasting theme, followed by emotive passagework. When you eliminate the overuse of accents and chopped phrasing, the piece actually becomes beautifully lyrical.”. VG+ or VG then all faults on vinyl and sleeve will be described. 20 (Variation 6) Manuscript facsimile 1853 . a reminiscence of the haunting theme that began the concerto. No. was was in good health and mentally stable. The world premiere recording has been released on Dutton with the Royal Northern Sinfonia conducted by Netfocus Universal Sound Library. Your subscription means more than ever. The piece is in three movements, which follow on from each other without a pause:Nicht zu schnell (A minor)Langsam (F major)Sehr lebhaft (A minor -- A major) A transitional passage leads to a second theme, in which the woodwinds echo the cello’s sighing figure. The score was not published, and the manuscript was destroyed in a fire in … This new release of the Schumann Cello Concerto purports to be the premiere recording of its absolute original version–a faithful reconstruction of the 1850 “Concertstück”. His Cello Concerto (1850) and Violin Concerto (1853) have been regarded as awkward, losing out to the popular Piano Concerto. Gromes also surprises with a world premiere on her new album: it is the 3rd Cello Concerto op. This site uses cookies. Save my name, email, and website in this browser for the next time I comment. One of the first compositions Schumann completed after his arrival in Düsseldorf was his Cello Concerto. 129. Alisa Weilerstein, cello. Cello Concerto Op. Folksoundomy: A Library of Sound. Schumann's cello concerto, one of the last works he wrote, has become a firm favourite with soloists and audiences alike - but the version commonly heard today is in fact the result of fairly heavy modification by the intended first performer Emil Bockmühl (and subsequent others. This month, the Houston Symphony presents a two-week Schumann Festival featuring the great Romantic composer’s symphonies, concertos, chamber music, songs, and more. Since then, generations of performers have introduced alternative bowings and significant changes which have diluted the original conception of the work. IN COLLECTIONS. 1, Op. The orchestra begins the finale with the forceful chords of the main theme, answered by virtuoso figuration from the soloist. Unfortunately for us, even Breitkopf & Härtel refused to publish the arrangement for String Quartet and cello that Schumann proposed (learning about this I have myself now realised a version for String Quartet and cello, useful for both student and concert purposes. 1862) Josephine Knights, whose personal portion of the notes is full of interest – Lewis Foreman ably co-authors the main section with Knights - mentions the fact she found in the Schumann concerto manuscript a letter from Clara Schumann offering the concerto to Piatti to perform; he was to do so in the work’s British premiere in 1866. a spontaneous passage in the style of an improvisation, A Baroque Christmas: Q&A with Guest Vocalist Morris Robinson, Playliszt: 10 Great Pieces by Music’s Original Rock Star. The Cello Concerto in D major is Arthur Sullivan's only concerto and was one of his earliest large-scale works. Partnering the Schumann are two previously unrecorded cello works by Alfredo Piatti. The slow second movement opens with a lyrical duet for the soloist and a single orchestral cello marked “mit Ausdruck” (“with expression”). By continuing to browse the site you are agreeing to our use of cookies. One of the few pieces I can think of for which that expression is truly apt is the Schumann Violin Concerto, which we are doing next week with the English Symphony Orchestra and soloist Zoe Beyers on the 3rd of April in The Priory Church at Great Malvern. Like several other works by Schumann, this concerto’s movements are linked together without pause, and the music fades seamlessly into the second movement. 129 I. Nicht zu schnell (A minor) II. The most prominent change occurs in the final section of the third movement, where a virtuosic flourishing scale replaces a simpler triplet figure. This ends the reverie, and the soloist responds with a dramatic recitative (a style of operatic sing-speaking) above tremolo strings. 129; Camille Saint-Saëns: Cello Concerto No. SHOW ALL. Josephine Knight holds the Alfredo Piatti Chair at the Royal Academy of Music where she is Professor of Cello. You get a feel for when bowings are added and are not original, but I was not expecting that when I saw the original autographed manuscript in Krakow, that there were in fact hundreds, if not thousands of differences – including a final section which is completely different material.”. Vg+ or VG then all faults on vinyl and Sleeve will be.. Has been released on Dutton with the forceful chords of the autograph score the! 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